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No One Told Me Writing Was the Easy Part : The Truth About Self-Publishing
When I first decided to write a book, I thought the hard part would be finishing it.
So when I typed “The End,” I thought I’d climbed the mountain.
I hadn’t. I’d only reached base camp.
Because no one told me: writing is the easy part.
When I first decided to write a book, I thought the hard part would be finishing it.
And make no mistake—writing is hard. It demands focus, discipline, emotional excavation, and a willingness to stare down the blank page day after day. You wrestle with structure, subtext, dialogue, and doubt. You edit scenes you love. You cut characters who no longer serve the story. You revise until you can’t see the words anymore. So when I typed “The End,” I thought I’d climbed the mountain.
I hadn’t. I’d only reached base camp.
Because no one told me: writing is the easy part.
The Myth of Completion
I thought finishing the manuscript was the victory lap. In reality, it was the starter pistol. Self-publishing means stepping into a new role—several, actually: marketer, editor, project manager, social media strategist, cover designer, metadata wizard, and publicist. Overnight, your passion project becomes a product—and you become the team in charge of launching it.
From Creative to CEO
The mental shift from "writer" to "publisher" is jarring. Writing is deeply internal. Publishing is external, performative, strategic. Suddenly you’re not just telling the story—you’re convincing the world it’s worth reading.
You’re learning ISBNs and Amazon categories.
You’re writing press releases and ARC pitch emails.
You’re tweaking cover fonts and wondering if your color palette screams "romance" or "remainder bin."
You’re analyzing preorder numbers while trying not to cry over an Instagram caption.
It’s exciting. It’s terrifying. It’s relentless.
The Emotional Whiplash
No one prepares you for the vulnerability of publishing. There’s a reason so many authors say they feel more nervous hitting "publish" than writing the most gut-wrenching scenes in their books. Because now your work isn’t just yours—it’s out there, subject to praise, criticism, or worse: indifference.
You’ll second-guess your blurb. Obsess over reviews. Wonder if anyone outside your friend group will care. You’ll launch your book and refresh your sales dashboard like it owes you an apology.
Why I’m Still Doing It
I’m self-publishing because I believe in the story I wrote. Not just in its plot or prose, but in what it means. I believe someone, somewhere, needs it. I’m willing to learn the business side—not because it’s easy, but because it’s worth it.
Writing is the easy part because it's where I feel safest. Publishing is where I feel exposed—but it’s also where the magic happens. It's where connection becomes possible.
So to the writers out there about to hit "publish": I see you. I know how hard you’ve worked. And I know this next step feels like a free fall.
You're not alone.
The Takeaway
If you're dreaming of writing a book, know this: The real work begins after "The End."
But so does the real joy.
Self-publishing is hard. But so are all the best things.
And no matter what happens next, you did something extraordinary: you turned an idea into a finished book. You gave it life. Now give it wings.
You’ve got this.
Parker Williamson writes about freedom, beauty, truth and love. A traveler of the world, he has been called a friend to paupers and princes alike. Parker passions include theatre, athletics, film, video games and of course writing.
On the Edge of Publishing: A Writer's Truth
I'm on the edge of publishing my first book.
I should be elated, right? After all, this is the dream. Late nights and self-doubt, character arcs that refused to bend, deleted scenes that still haunt my documents folder, gut-punch edits that left me questioning everything I thought I knew about storytelling. All of it leading to this moment: a final manuscript, a cover that captures something I couldn't say in words, a title that finally feels true. Soon, it will be real. Tangible. Public.
And yet, what I feel isn't elation. It's fear.
Fears of a budding author
I'm on the edge of publishing my first book.
I should be elated, right? After all, this is the dream. Late nights and self-doubt, character arcs that refused to bend, deleted scenes that still haunt my documents folder, gut-punch edits that left me questioning everything I thought I knew about storytelling. All of it leading to this moment: a final manuscript, a cover that captures something I couldn't say in words, a title that finally feels true. Soon, it will be real. Tangible. Public.
And yet, what I feel isn't elation. It's fear.
Not the dramatic, movie-trailer kind—no swelling orchestral music or slow-motion moments of triumph, but a whispering uncertainty that follows me through ordinary moments: What if no one reads it? What if no one cares? What if I throw my whole self onto the page and the world shrugs and keeps scrolling?
This is the part no one tells you about when you're chasing the dream. The part where you realize that finishing a book is only the first cliff—and the publishing part, the sharing part, the part where your work exits the safety of your own heart and walks naked into the world, is a whole different kind of free fall.
I've spent months preparing for this moment, but nothing really prepares you for the vulnerability of it. Writing in private is one thing; you can revise forever, delete the embarrassing parts, pretend the worst scenes never happened. But publishing? Publishing is showing your diary to strangers and asking them to care about the people who live only in your head.
Here's the truth I've had to make peace with: I might fail.
I might not sell copies. I might not get reviews, or worse, I might get the kind that make me question whether I should have kept my day job. I might not be discovered by the right reader at the right moment. My book might gather digital dust on a virtual shelf no one ever scrolls to, lost in an ocean of stories all competing for the same precious resource: attention.
The statistics are humbling. Most books sell fewer than 300 copies. Most authors never make a living from their writing. Most stories disappear without fanfare, without recognition, without the validation we secretly hope will make all those solitary hours feel worthwhile.
And yet—I'm doing it anyway.
Because somewhere along the way, between the third draft and the thirtieth, I realized why I was writing—to be honest. To say the things I couldn't say out loud. To build people out of pain and hope and contradiction, and let them survive things I thought I couldn't. To create a place where the messy, uncomfortable truths could exist without judgment.
I wrote because I needed to. I'm publishing because I believe someone else might need it, too.
Maybe it will be five people. Maybe one. Maybe that one person will find my book at exactly the moment they need to know they're not alone in whatever they're carrying. Maybe they'll read a scene that makes them feel seen, or a line that gives them permission to feel what they've been afraid to feel.
Maybe that one person is me—the version of myself who started this book believing they had nothing important to say, who needed proof that finishing something difficult was possible.
But I think there's a quiet dignity in making something no one asked you to make. In believing it's worth finishing even if the world never claps, even if the algorithm never finds you, even if your book never trends or gets featured or changes anyone's life in dramatic, measurable ways. Not everything needs to go viral. Some things just need to be real.
And this book is real. It exists because I willed it into existence, word by stubborn word. It carries pieces of me I didn't know I was ready to share, characters who feel more alive to me than some actual people I know, scenes that still make me cry even though I wrote them.
It's imperfect—of course it is. There are probably typos I missed, plot threads I could have woven tighter, dialogue that could be sharper. But it's also complete. It's mine. It's ready to find its people, however many or few they might be.
So here I am, on the verge—afraid, uncertain, but also full of something more lasting than hype or hope: peace.
Because I did the thing. I told the story I came here to tell. I didn't stop when it got hard, or when the doubt crept in, or when the world offered me a thousand easier paths.
And whether or not the world shows up—whether it's five readers or five thousand—I did.
The book exists. The story is told. The dream, in its truest form, is already real.
Parker Williamson writes about freedom, beauty, truth and love. A traveler of the world, he has been called a friend to paupers and princes alike. Parker passions include theatre, athletics, film, video games and of course writing.
About the Author
Parker Williamson writes about freedom, beauty, truth and love. A traveler of the world, he has been called a friend to paupers and princes alike. Parker passions include theatre, athletics, film, video games and of course writing.